The 2014 AREs are great. The company goes into plenty of detail in its marketing materials about ARE, claiming that by manipulating temperature, humidity and pressure at a 'sub-cellular' level, the spruce's molecular structure is changed to be closer to what it would be after many years of playing and use: it's 'played in', 'older', or however you want to term it. Or if you really want the LL16 ARE but in black. Yamaha LL16D ARE Natural De L16 heeft een volledig massieve body gemaakt van palissander, en een schitterende Engelmann spruce top. 'Keep it simple' seems to be Yamaha's new approach, and we're never going to argue with that. More important is the timeless approach that makes these guitars just as relevant in 2014 as they would have been at almost any point in the 40 years since the L Series first appeared. That said, there's no denying the L Series family trait of impressive balance and poise. England and Wales company registration number 2008885. "With the LL16D, old Gibsons come partially to mind; a mid-60s J-50, for example". Supremely playable. While the guitar has a pickup, the only visible clue is the endpin jack socket: no preamp, no battery, no controls, nothing. MusicRadar is part of Future plc, an international media group and leading digital publisher. Being reminiscent of L36 series, LL16D offers both laxuarious look and excellent tone. That said, the profile itself has become a little more chubby; it's slightly less 'V' than before, and with the fingerboard/binding edges less rolled, and therefore more pronounced-feeling. Apart from the abalone, however, it's otherwise the same as the solid rosewood back and sides LL16 ARE model (and the same price). The LL16D ARE is available in natural and black (see image). Not a huge fan of the excess bling though, the regular LL16 is already a bit too much for me, but if you're into that, the guitar itself is great! With our reference AER Compact 60 3 set with flat EQ in channel one (high-input sensitivity selected, 'colour' deactivated), there's plenty of output from the passive system that returns a very balanced all-round tone. Please refresh the page and try again. All rights reserved. You will receive a verification email shortly. Who is the best acoustic guitarist of 2020? Since Yamaha LL TA is based on LL Series, there’s not much to say. A few of us here do live sound from time to time, and we'd be very happy to receive this signal to the desk: it's everything you need, and nothing you don't. Original Jumbo Body; Solid Engelmann Spruce Top Treated with A.R.E. The beautiful coloring of the rosewood back and sides ranges from deep purple to warm brown. The new Yamaha LL16 has a solid Engelmann Spruce top and solid Rosewood back and sides. Bath It also features a new non-scalloped bracing design that delivers a beautiful and well balanced tone. Yamaha LL-TA vs. LL16. Excellent value. The main decision between this and the LL16 ARE is whether you are willing to pay an extra $265 (though this is MSRP and you’ll likely pay less in real life) for the inlay. It is newer, tighter and brighter sounding, but it has some of that sweetness about it. Solid Rosewood Back and Sides; High-Comfort, Traditional Neck Profile; 5-Ply Neck Apart from the abalone, however, it's otherwise the same as the solid rosewood back and sides LL16 ARE model (and the same price). The new Chinese-built 6 L Series guitars represent an auspicious meeting of Yamaha's ultra-credible heritage with distinctly mid-level pricing. I used top quality Ph. Yamaha LL16D ARE Black Based on the LL16, the new LL16D features intricate abalone inlay work around the body, head and sound hole. Plugged in, the 'Zero Impact' passive pickups are instantly likeable. I own a 2012 LL16, but I was able to extensively demo the … I tend to like Monel strings for my vintage Martin D-42 but found they were not right on the Yamaha. I'm a huge fan of Yamaha L's. The solid-wood LL16D ARE is built on Yamaha’s LL platform, a variation on the classic dreadnought body that’s designed to be less boomy. It retains the essence of its acoustic tones and there are no obvious feedback issues, minimal quacky piezo mids and no razor-sharp highs. © All the new 6 and 16 Series guitars get a solid Engelmann spruce top, treated with Yamaha's ARE process, previously available only on the (Japanese-made) 26 Series guitars and up. Who is the best online guitar personality of 2020? Build. Their price is also one of the distinctions. With the LL16D, old Gibsons come partially to mind; a mid-60s J-50, for example, isn't a guitar that would blow your socks off with strident power and clarity, but boy, they sound sweet and record beautifully. The LL16D is the deluxe black sheep of the family, with its flashy looks, but just as you'll always need a smart black suit or a little black dress, so a quality flattop in matching dinner dress will never, ever go out of fashion. All the new 6 and 16 Series guitars get a solid Engelmann spruce top, treated with Yamaha's ARE process, previously available only on the (Japanese-made) 26 Series guitars and up. He … Yamaha LL16 ARE. Receive mail from us on behalf of our trusted partners or sponsors? Receive news and offers from our other brands? Which is why some manufacturers have developed new techniques aimed at making brand new guitars sound nicely aged. Its A.R.E.-treated Engelmann spruce top is finely and evenly grained, with the warm amber glow of a vintage guitar. If you like Yamaha's sound and you bone the LL16, it's definitely a GAS killer, as Gary said. Very impressive, balanced tones. Acoustic Guitars. It's not a notably powerful or deep bass, and the overall tonal picture is very different from the lower midrange warmth of Martin's 15 Series, for example, perhaps the modern benchmark in current 'new folk' instruments. "As ever with Yamaha, the standard of finishing is superb, almost to the point where we forget to comment on it". But we can't help wondering if Yamaha would have been better off narrowing the nut width and string spacing for the style in which it's most likely to be played. The steel-strung acoustic guitar has a range of sounds that are unmistakeable and not easily replicated with any other type of guitar. After trying four different sets of strings and wearing all four sets out, I restrung my vintage Martin and the Yamaha LL16D with identical sets for an honest evaluation. Bronze. The LL16 is definitely cheaper, but it’s also an acoustic-electric. Setup is very much a personal preference; our opinion is that most players like low-ish actions and an easy feel - exactly what this guitar offers - while others prefer more height and fight to suit their picking styles, and so the strings have more room to sing out. Easier to understand is the new, lower-profile, non-scalloped X-bracing structure that Yamaha has developed to increase volume and improve bass response over previous models, though by nature the LL body (developed from Yam's FG modified dreadnought shape from 1966) was designed to be less 'boomy' than the fabled Martin D. 'Well balanced' and 'sits easily in a band mix' is the sort of territory Yamaha is shooting for. Thank you for signing up to Musicradar. Delightful as a brand new, top-end acoustic can be, an aged or played-in one usually sounds better. We like this neck; it has enough meat to feel traditional and a good compromise of string spacing choices to suit strumming and picking. There was a problem. Future Publishing Limited Quay House, The Ambury, In fact, the only difference is the with or without the TransAcoustic feature, and the pickguard maybe. Yamaha has also redesigned the neck profile, firstly with a straighter taper in terms of depth than previous models - less increase in thickness as you go up the neck. Yamaha LL16D ARE . Based on the LL16, the LL16D features intricate abalone inlay work around the body, head and sound hole, and reminiscent of the L36 Series, the LL16D offers both luxurious looks and excellent tone. No onboard pickup control, but the sound engineer will love you…. Bob Thomas checks out the results of Yamaha's 'ARE' process on a stunning newcomer. We check over 130 million products every day for the best prices, The bright-sounding LL16D is one the premium models in the new L range, All of the guitars in the range feature Engelmann spruce tops. The only downside is that you have no onboard control whatsoever; but again, the sound engineer will be more than happy with that situation. It's a brave move for Yamaha to eliminate all onboard control and suggest that users need either a DI or outboard preamp to get the best from the guitar: lest we forget, we're constantly moaning about over-complicated, ugly preamps in acoustics, not to mention how compromised most of them sound. Read more: Yamaha LLX26C AREII. 16 Series instruments have solid mahogany or, as on our review model, rosewood back and side options meaning that Yamaha has the bases covered in terms of popular choices, not to mention a reasonable range of finishes, depending on model. , but the sound engineer will love you… it 's very well to. Ll16 has a solid Engelmann spruce top heritage with distinctly mid-level pricing to say 're never going argue. Techniques aimed at making brand new, top-end acoustic can be, an aged or one! 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