4.Dominant Chords with Altered Extensions Besides the normal extensions (9-11-13), dominant chords can handle altered extensions as well, such as b9, #9, #11, and b13. Key of C family (G7alt)? Altered Pentatonic. "Plain" dominant 13th chord (13th chord functions the same as a 7th chord in terms of progression): C13 As a "stack of thirds" 3rd 5th 7th 9th 11th 13th Root Here are all possible alterations. Any chord can be altered, but in popular music and jazz, altered chords usually refer to dominant chords. The third must remain major and the seventh minor to be Dom7 quality. & Descending F7alt ? Altered chords are, as their name suggests, standard diatonic chords in which one or more of the notes have been altered, either by being sharpened or flattened. Key of F family (C7alt) ∑? Altered Dominant Chord Approaches (V-I) F7alt.....? An altered dominant is a dominant seventh chord (i.e., major triad+minor 7th) with all possible alterations. Chord extensions. There are approximately 26 different altered chords you can choose to spice up your chord progressions. & 4. a chord that has at least one note which doesn’t belong to the diatonic scale): •They occur mostly in major keys that ‘borrow’ chords from the parallel minor key (i.e. Altered chords make fantastic chord substitutes for regular dominant 7th chords. The flatted and sharped chord tones add a unique tone to any common chord progression. Altered chords are easy to create, you just lower or raise a chord tone by a half step. C major borrows chords from C minor). One special feature is the quadra-step interval between the first and second scale step. & "Wave" B. In this article we will be looking at altered dominant chords. The Altered Pentatonic is mostly used in jazz and deviate from both the Major and Minor Pentatonic in different ways. Academia.edu is a platform for academics to share research papers. Lesson 2: Borrowed Chords & Altered Chords GRADE 8 MUSIC THEORY Borrowed Chords Borrowed chords are a special type of chromatic chord (i.e. Altered scales are based on the same principles as altered chords. In this section you look at dominant chords with altered extensions. I cover everything you need to know about each chord. Specific applications: A. & ∑ bœbœœœbw bbœœbœœœœ bnœœnbww œœ bœ nbœœ bœ œœ œbœœœ ww bw œœ œ b n bœœ bœ œœ nbœ œœ nœ bbww nwœ œ bbœœbœœ œ œ bw nw œbœbœœww w b b œœbœbœwbœœnœœbœœbbœœnwwœœ b They are in most cases much less used than the main versions. second, altered chords can be easily used in place of their diatonic counterparts. in other words, you can add some pizazz to a composition by replacing a diatonic chord with an altered chord that has the same root. 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