Now, if we’d add the 16ths to our options, strip down the right hand to the before mentioned note “c” and we’d start playing SOME of those accents (eights and sixteenths), but leaving others open, we could get to something like this. Runs and fills are made up of two elements: Notes and Rhythm. Musicians use fills to create movement between chords, fill empty space between chord strums or to add rhythmic variation to a song. “But wait,” you say, “I thought improvisation was spur-of-the-moment!” In one sense, you are correct. Unfortunately, if you listen to them play fifty songs in a row, they all sound the same! This might sound counter-intuitive to what you think, since most of my students ask me WHICH notes to play. She performed that incredible Second Piano Concerto by Saint Saens with the composer conducting. I’ll get more into options to choose your notes from and how you can combine them with standard licks/patterns to sound even more cool, in a next post. One hand runs, two hand runs, open-octave runs, tremolo-blasted runs, cascading waterfall runs and more. But here’s the thing: it’s so super important to realise that this is just expanding upon this very idea. It is a base to make music. OGet all that and the video download included with the tutorial pack. Note choice – dare I say it – is secondary. The final section puts this information together into numerous examples for you to study and develop for your own use. Here's how you can add runs & fills to your piano playing! Choose an extension – preferably for this moment choose one that fits in the key – on each chord, Other options include pentatonic scales, blues scales, the key of the song, re-harmonization and, All of the things as per discussed above in a practical and hands-on way, How to break down rhythm to options for accents to play on, How playing specific accents, whilst leaving others open results in the first step to musical alternation – improvisation, Extending this idea to even more exciting, piano improvisations, A few more exemplifications of options to choose notes from. Perhaps they learned the basics of hymn playing, and picked up a run or two, but that is all. Next let’s strip it down to quarters with the left hand, while the right keeps playing those eights. What do I play in between those chords. All steps as played plus the more technically dressed up version that I played at the end; The audio-only file for when you want to learn on the go (“listen to learn” is golden, as Piano Hackers know) OGet all that and the video download included with the tutorial pack. The 100 left hand patterns introduced in this book can help piano students, piano teachers, and music professionals take their piano playing to the next level by learning how to play the same song 100 different ways. The first step in doing this is just dead simple (however, don’t be the fool that underestimates the power of simplicity): use note(s) from the chords you are playing. A handout (.pdf) with the images used in this tutorial; Two MIDI files. https://coenmodder.com/wp-content/uploads/2017/02/FillsLicksRiffs8ths.m4a. Learning to create fills between primary chords allows you … His improvisatory skill, however, is demonstrated in the application of that knowledge. 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